 |
|
| 
| 
| 
| 
| 
| 
| 
|
| |
|
| |
|
|
 |
Artists |
Pil and Galia
Kollectiv |
Origin: |
UK |
|
| |
|
|
|
|
|
|
| |
|
| |
 |
Solo
Exhibitions |
|
| |
| 2002 |
Living
in Magazines, Camera Obscura Gallery, Tel Aviv |
|
|
|
|
| |
|
| |
| |
Selected Group Exhibitions
and Screenings |
|
| |
| 2005 |
S1/Salon, S1 Gallery, Sheffield |
| 2004 |
Phantasmagoria,
Castlefield Gallery, Manchester. |
| |
Grey
Goo, Flaca Gallery, London. |
| |
Zoo
Art Fair, London |
| |
Fleamarket, temporarycontemporary, London. |
| |
Surrealestate,
YYZ Artists’ Outlet, Toronto. |
| |
Centrefold
Scrapbook, Redux Gallery, London. |
| |
Motorcity, 27 Spital Square, London. |
| 2003 |
Nth
Art at Ols and Co. Gallery, London. |
| |
Becks
Futures Student Film and Video Award Show at the ICA, London |
| |
Wonderyears,
Kunstlerhaus Bethanien and NGBK galleries, Berlin |
| |
Whitechapel Gallery film program, accompanying the
Mies Van Der Rohe exhibition. |
| 2002 |
Critical
Home Video, Govett-Brewster Art Gallery and Art Museum, New Plymouth,
New Zealand |
| |
1st
Videozone Biennial, Tel-Aviv, Israel |
| |
Critical
Home Video, Artspace, Ontario |
| |
Kontakte:
Keep on Livin', Neon Gallery, London |
| |
Stardust
Deluxe, Lisa Lounge, Berlin |
| 2001 |
9th
Biennale de l’image en Mouvement, Geneva |
| |
Critical
Video Lounge at City Art Gallery, York |
|
|
|
|
| |
|
| |
|
| |
| |
Curatorial Projects |
|
| |
| 2004 |
DaDaDa:
Strategies against Marketecture at temporarycontemporary gallery,
London |
| 2002 |
Carbona at Plonit Gallery, Tel-Aviv |
| |
Atari
Teenage Riot at Hazira Performance.Art, Jerusalem |
| 2000 |
Indiscotica at the Heinrich Böll foundation
Gallery, Tel Aviv |
| |
Trash at Hazira Performance.Art, Jerusalem |
|
|
|
|
| |
|
| |
| |
Selected
Lectures |
|
| |
| 2004 |
Round Table Discussion at Pilot International
Art Forum, London |
| 2003 |
“Post Zionism and the Holocaust” at
Kunstlerhaus Bethanien, Berlin |
| |
“Tel-Aviv – Global City” at
NGBK, Berlin |
| 2002 |
“The Space Between Consumerist Desire and
Freedom” at Camera Obscura Gallery, Tel Aviv |
| 2000 |
“Punk Subcultures and Local Identity” at
Betzal’el School of Art, Jerusalem |
| 1999 |
“From the Situationists to Baader-Meinhof:
Smashing the Spectacle”, Habamah Theatre, Jerusalem |
|
|
|
|
| |
|
| |
| |
Catalogues
and Publications |
|
| |
| “Final Countdown: Truimph
of the List”, in Strategies Against Marketecture, London, 2004
(also editors) |
| “Should Artists Struggle?”,
Pilot:1, London: Doubleplusgood, 2004 |
| “Bloodnation /Fleshland”,
Grey Goo, London: Flaca, 2004 |
| “Plastic Surgery”, Miser & Now,
issue 3, London: 2004 |
| “The Future is Here”, Miser & Now,
issue 2, London: 2004 |
| “Israel“, Chicks
on Speed: It’s a Project!, London: Booth-Clibborn Editions, 2004 |
| “Fear of a Black and White Planet”,
Wonderyears, Berlin: NGBK, 2002 |
| “The Death of the Teenager”,
in: Carbona, Tel Aviv, 2002 (also Editors) |
| Critical
Home Video, Quebec: Chambre Blanche,
2003 |
| 1st
Videozone Biennial, Tel Aviv: 2003 |
| 9th
Biennale de l’image en Mouvement,
Geneva: Centre Pour L’Image Contemporaine, 2001. |
|
|
|
| |
|
| |
| |
Awards |
|
| |
| Together - 2003: Runners up at the Becks
Student Film and Video Award |
| Pil |
1998 |
Perach
scholarship (awarded for volunteer community service) |
| |
Arieli
prize for outstanding seminar paper in History, the Hebrew University |
| Galia |
1998 |
Arieli
prize for outstanding seminar paper in History, the Hebrew University |
| |
1997 |
Rector’s
scholarship for outstanding students, the Hebrew University |
| |
1996
- 97 |
Dean’s
honours list, Faculty of Humanities, the Hebrew University |
|
|
|
|
|
| |
|
| |
| |
Education |
|
| |
| Pil
is currently an Associate Researcher in Fine Art at Chelsea College,
London |
| 2002
- 03 |
Central
Saint Martins College, MA in Communication Design, London |
| 2000
- 01 |
Goldsmiths
College, MA Fine Art, London |
| 1999
- 00 |
Camera
Obscura Art School’s New Seminar for Theory, Criticism and
Visual Culture, Jerusalem |
| 1995
- 98 |
BA
studies in English Literature and History, the Hebrew University,
Jerusalem. Graduated cum laude |
| |
|
| |
| |
Statement |
|
| |
| Inspired by the two war paintings of the
surrealist painter Max Ernst, Europe After the Rain I and II. Looking
at imaginary landscapes of fossilised ruins that turn into organic
matter fusing the textures of rotting vegetation and the angular shapes
of forgotten archaeological sites, we decided to try to create a series
of abstract landscapes. We collected WW2 images of American bombers
over the Japanese mainland, of fighter jets explode in the dark sky
over the ocean and of the blinding mushroom that hung above Hiroshima,
and searched these materials - bombed Japanese factories, B52s and
the scorched ground of Hiroshima - for evocative patterns. Our aims
was to find a way to make these materials into something that might
suggest regeneration and not just destruction, to find life in the
ruins. |
| |
|
| |
|
| |
|
| |
|
| |
|
|
|
|
|
|
|
|
|
| |
